As the end of this generation draws near we’re seeing an increase in the amount of franchises that are taking a stab at faster release cycles. Call of Duty has been pulling this trick for a while but even titles with a bigger scope like Assassin’s Creed and Dead Rising are trying to give us a new game every year.

The term “new game” may be a bit of a stretch because in the rush to meet the deadlines a lot of these titles are getting flak for not adding enough to previous iterations. While waiting years for a game may be painful, is it preferable to basically buying what equates to an expansion pack?

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At 10 hours into Skyrim, you’d think that I would be a walking bad ass by now. Townspeople would weep or cry out in joy at my passing. Animals would steer clear of my manly musk. Dragons would swoop down to bow before me in reverent awe. My weapons would sing with the crackle of lightning and the sharp hiss of steel and silver. In short, you would think that I’ve already started bending the world of Skyrim to my digital will.

Actually, I’m picking flowers just outside of Whiterun. You see, I’m trying to learn some new recipes and the properties of various ingredients for alchemy, just so I can sell some potions and make enough money on the side to buy a house. You know the type: a starter home, with a nice view of the Jarl’s place up on the hill. It’s quaint, but it’ll get me by long enough to stow all of my stolen items until I can contact someone in the Thieves’ Guild to purchase them for me. I might get around to that once I’ve searched the nearby brewery or taken a few more Smithing lessons up at the Skyforge. That’s just how I roll.

While none of those things sounds particularly exciting, they’ve somehow gotten me totally snared by Elder Scrolls V’s dark and fantastical clutches. Every preview of the game showed spellcasting, shield bashing, dragon shouting and dragon fighting. Yet all I’m doing is the mundane, the ordinary, the stuff that nobody in their right mind would do.

And I love it.

You see, I’ve got certain triggers when it comes to video games. Certain things that scratch just the right spot or catch me at just the right moment. This happens from time to time, and even though it shouldn’t surprise me, it still totally does. I wrote just a few weeks back about how Batman: Arkham City made me feel like a kid again. Skyrim is sort of similar, but there’s something more to it: it just has my attention.

I can’t really describe what it means when I say that a game has gotten my attention. The only mental image I have is of a small child, with a street performer snapping in front of him to hold his gaze while he does a sleight of hand routine. And I guess that’s what video games do to us. The best ones leave us transfixed, totally beholden to whatever spectacles are playing themselves out on the screen. I won’t declare Skyrim game of the year or say that it’s one of my favorites. But I will say that it’s already put me under its spell.

So my question to you guys is this: what does a game have to do to get your attention? What kinds of things tend to really suck you into a game and keep you from doing anything else? Does it have to have a good intro? A great story? Great mechanics? A combination of those things? What types of games tend to leave you obsessed? Go!

Here we are, folks: after months of waiting and watching trailers, Battlefield 3 has finally dropped, bringing DICE’s no-hold-barred attempt to kick Call of Duty square in its Modern Warnads to a head.

I haven’t really attempted to keep my excitement for the game a secret and I’m sure many of you have read the reviews on other sites and played the game, but now we get to have the official GamerSushi verdict. Having tucked into all three of Battlefield’s modes, I’m going to review them in a similar manner to Eddy’s Modern Warfare 2 review from two years ago, tackling the campaign and co-op first and hitting the multiplayer last. I’ll average the two scores as best I can, and that will be the final grade for Battlefield 3. All clear? Move out, solider!

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Happy Halloween, Sushians!

Or I suppose it’ll be the day after Halloween by the time you read this, but that’s no reason to be any less festive, is it? Every year, we try to give some kind of feature towards the day of ghouls and goblins, and 2011 is no different. While in the past we may have covered a list of scariest games or done a Halloween Pop Quiz, this year I wanted to skew in a bit of a different direction.

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2009′s Batman: Arkham Asylum was not just a landmark title because it was really, really good, it’s also one of the very few games in recent memory to take a super-hero license and use it well. Arkham Asylum was a faithful adaptation of the Caped Crusader, one where players actually felt like they were Batman as opposed to just slapping his moniker on a bland brawler and calling it a day.

Developers Rocksteady clearly have a deep love for the Dark Knight and when the follow up title Batman: Arkham City was announced last year at Spike’s Video Game Awards fans eagerly began salivating at the prospect of another chance to be Batman. Did Rocksteady follow up Arkham Asylum with a worthy successor or should they be locked up?

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Confession time, gents and ladies. Playing Batman: Arkham City makes me feel like a kid again, and I don’t really care who knows it. As of right now, it’s my game of the year. I’ll tell you why in a moment.

But first, there’s something you may have already guessed about me, but I thought I should confess that as well: sometimes I can be a bit of a cynic. I always try to look at the brighter side of things, but in this day and age, the overwhelming cynical voice of the Internet can be a bit of a bog that all of us get stuck in. Especially when it comes to gaming.

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In a trend that’s becoming far too common in the games industry, Betas are being used to promote a game rather than their proper form of stress-tests and bug finding. Three high profile games this year, Battlefield 3, Gears of War 3 and Uncharted 3 have all used Betas to lure people into pre-ordering the games or buying a different title.

While all of these games did make good use of their respective testing phases (Gears 3 had a lot of map layout changes, for example) the fact still stands that Betas are increasingly becoming a marketing tool, one that may harm the industry if overused. How can we fix this?

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My character falls to his death and I don’t even move. I don’t scream, I don’t curse, I just sit and wait for the animation to complete so I can get back to what I was doing. I’m Anthony and I’m a veteran of Demon’s Souls and now Dark Souls.

As we all remember, I was a huge fan of Demon’s Souls, the intense and famously difficult action-RPG from From Software. The tough, but fair challenge, the amazing online experience…it all just clicked for me and for many other gamers as one of the best games of this generation. Now, with Dark Souls, From Software is back to give you nightmares all over again.

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Somehow, these new editions of Pop Quiz keep sneaking up on us. It feels like it wasn’t so long ago that we were talking about the dog days of gaming summer, looking forward to the Fall like seagulls swarming around a family having a potato chip fight. I don’t really know what the deal is with that analogy, but I think it sort of works.

Anyway, it’s officially Fall now, and the releases are rolling in. We’ve had Gears of War 3, Dark Souls, the Battlefield 3 Beta and soon Arkham City, Skyrim, Uncharted 3 and then some. It’s an exciting time to be a gamer, and one that I’m sure will produce a number of thought provoking responses from you all, our lovely Sushi-ans. This pop quiz is full of questions about the games we’ve already seen, candy and peril. Tread carefully.

As always with our getting-to-know-you type games, feel free to answer with as much or as little as you like. Answer to the best of your ability. Go!

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While the Battlefield 3 Beta does go public today, I’ve been playing it since the 27 thanks to my pre-order early access (and the fact that I bought the Limited Edition of Medal of Honor). I haven’t been hiding my anticipation for Battlefield 3 at all and I’ve been eagerly awaiting a chance to try the game out before release. Since I’ve already pre-ordered it, I’m kind of locked into the full retail version, but I wanted to give those of you still on the fence a little taste to help you decide whether or not to jump on this train.

The only map currently available in the Beta is Operation Metro in its Rush variant. Operation Metro is a very linear map that progresses from a park to a subway tunnel and then out onto a wide promenade. The other map, Caspian Border, is currently locked behind a password, but that’s the more traditional BF map with wide open areas and combined arms warfare. Metro is strictly an infantry combat map in this form, and it doesn’t exactly carry that Battlefield feel that people might be expecting.

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If you want to know my opinion (and you’re reading a review that I wrote, so I’m going to assume that you do), Microsoft has had a very keen eye for franchises that will go on to become very influential in their generation. Halo informed the whole of the last generation and Gears of War did a fair bit to shape the direction of gaming in this one. While we did become a little sick of the “brown and grey” color schemes that dominated the first Gears, you can’t really deny that Epic has created something unique with their stop-and-pop shooter.

Indeed, it’s rare that a Gears game didn’t have a design element that was aped by the games that followed. If Gears one brought cover systems and a certain visual style to the masses then Gears 2 brought Horde mode which has been copied, to various degrees of success, by other notable franchises like Halo, Call of Duty and many more.

Now, after a wild five-year ride, we come to the end of this current trilogy of Gears of War games. If you’ve followed the story of the games all the way through, you know that humanity is out of the frying pan and in the fire, living as disparate bands, trying to survive as a new life form called “Lambent” overruns both them and their old subterranean foes, the Locust. Indeed, the first chapter of the game details the new living situation as Marcus and Dom are living aboard a dilapidated aircraft carrier and Cole and Baird are scrounging the mainland for food and supplies. With such a depressing beginning, does Gears of War 3 provide a nice, satisfying end to all the chainsawing insanity?

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A couple of decades ago, if you had asked me what the term “multiplayer” meant, I probably wouldn’t have had an answer. The most “multi” I could get for my gaming dollar was adding my brother into a game of Streets of Rage or the Captain America and the Avengers game for Sega Genesis. In a time where gaming knew a lot of limits, the shared experienced capped out at two players max.

Things were different at the arcade, of course. There, two to four players could race against one another, or four mutants could tackle the coin-op challenges of the classic X-Men arcade cabinet. That was an experience that was fancy, almost futuristic in appearance compared to the tethered wired controllers that got thrown around in frustration over hat tricks in NHL 94.

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The Resistance series has always flown under the radar for me; I had heard about the quality of the games from a few different sources, but I never could get into Insomniac’s alternate time-line sci-fi shooter. The first two games went by me without so much as a raised eyebrow, but with the third game pulling in such great reviews, I decided that it wouldn’t be such a bad idea to check it out.

As a newcomer to the Resistance series, did the third game strike a chord with me, or was my earlier impression of the series justified?

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If you’re unfamiliar with the Warhammer franchise (and given how many times in the last week I’ve had to explain the universe, I’m going to assume that most of you are), this is the granddaddy of fantasy and sci-fi tabletop games. While Warhammer is by no means the first in that field, its sci-fi offshoot, Warhammer 40,000 has inspired dozens of games from StarCraft to Gears of War. If anyone says to you that Space Marine is ripping off Gears, you can firmly say that there were Space Marines swinging chainswords long before Marcus Fenix was a twinkle in Cliffy B.’s eyes.

Now that we have that out of the way, we can get down into the nitty-gritty about Warhammer 40,000: Space Marine, a third-person hack-and-slash/shooter hybrid developed by Relic Entertainment, perhaps best known for their Dawn of War (set in the same universe) and Company of Heroes RTS games. As Ultramarines Captain Titus, you’re tasked with securing a valuable strategic asset known as a Titan during an Ork invasion of the Forge World Graia. If you’re already raising a skeptical eyebrow, don’t worry; there are much more obtuse terms that will be in this review.

It’s taken this long to get a proper game from the perspective of an individual soldier, but how does it hold up against other similar titles? Does Relic’s skill with strategy games cross over into shooters?

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Well, it’s not quite fall, but nobody’s told that to the video games industry yet. Already, we’ve seen Deus Ex: Human Revolution, Resistance 3, Dead Island, Space Marine and soon, Gears of War 3. And that’s just for the month of September. Yes, the Fall of 2011 has been documented far too many times on our site, but seriously, can you blame us?

As such, we thought it was time to drop in with a brand new edition of Would You Rather. This time, we wanted to give you some tough decisions regarding the fall, and all its video game goodness. For the Would You Rather newbies out there, the game is easy: we ask and you dish out your response. Give as much or as little explanation as you want for your choices, but we all know that we like to see the reasoning behind the madness.

Don’t let your answers suck, though. Jeff just got a new pair of glasses that can spy people that give sucky answers and then annihilate them with crazy lasers. Seriously. I’m totally not making that up. OK go!

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The original Deus Ex came out at a time when every PC game seemed destined to raise the bar, informing the design decisions for the decade of titles that would follow. Between that and Half-Life, you’d be hard pressed to say which game has the bigger legacy. Of course, if the question was “which game actually followed up on that legacy”, the answer would be Half-Life.

After the less-than-stellar reception of the sequel, Invisible War, in 2003, the Deus Ex series went into a prolonged hibernation and for a while the likelihood of a new title in the franchise seemed doubtful. In 2007, however, Eidos announced that their Montreal studio would be developing the third game and in 2009 Square Enix was brought on as the publisher. Would this mishmash of an unproven developer and a Japanese studio prove to be a fruitful endeavor?

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A new podcast appears? Yup. It’s been a couple of weeks since we recorded this, but I thought you’d like to have it anyway. We’re talking about some old news at this point, but there’s some entertaining bits in there about Counter-Strike: GO, Bethesda Versus Notch and Diablo 3 on consoles.

The super exciting news is that next week’s podcast release will be extra awesome, as it was done over GamerSushi weekend last weekend. Yes, all of us in the same room, acting the fool. It’s entertaining stuff, and by no means should keep you from enjoying this episode as well.

Nick tried editing this one in a different format than normal. It should play mostly the same, but if you open it in Quicktime, you can advance through chapters with the arrows, which is kind of cool. Have fun, gents and ladies.

And don’t forget to rate!

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Podcast: Play in new window | Download

When playing video games, all manner of thoughts usually pop into my head. Some are far too graphic to share here and are off-topic besides, but I’ve decided to post my thoughts in a quick-thought format about a variety of topics. Sometimes things don’t warrant a full post by themselves, but that doesn’t mean we can’t still talk about them right?

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The problem with having gaming as a hobby and actively persuing that interest means that I often come face to face with the fact that gamers love to complain and do it often and loudly. I know that the most vocal of gamers are a small constituent, but when you’re active in the places that these people frequent, it sort of seems like there’s a wall of complaining and moaning that hits you like an incessant tidal wave.

Complaining about people complaining is like pissing in the wind, but if there’s any safe place to do it, I feel that it’s here on GamerSushi. While we may disagree on a lot of issues, there isn’t any one topic where everyone is overwhelmingly negative or against a certain thing. Honestly, it’s like a breath of fresh air compared to some of the places that I lurk and I’m always thankful that we’ve managed to carve out an island of stability amidst the turbulent waters of the Internet.

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A new challenger arrives: Episode 34 of the podcast, in which we repeat the phrase, “To Be Fair” quite a bit, even though we are usually anything but fair in these raucous casts which we pod. Also, sorry for Anthony’s robot voice. These things happen over the tubes.

As per usual, we bounce around along various topics, including but not quite limited to Team Bondi, Valve, GameFly’s PC rentals and a throwback to Metroid Prime. After that, we launch into a game of Fill in the Blank, where we vocabitate about next gen consoles, The Old Republic’s expected sales numbers and Bethesda claiming the word Scrolls.

We recorded this guy the day before Counter-Strike: GO was announced, so sadly there’s none of that on there. But next week! Oh, next week there will be counters struck, you guys.

So, listen to it. Give it mad ratings. <3.

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Podcast: Play in new window | Download