When I first heard about Hotline Miami, I didn’t quite understand the attraction. My assumption was that it was just a gruesome beat-em-up with the old-fashioned pixellated visual style so common in indie games these days. I just wasn’t that interested in a game that appeared to involve nothing more than bashing in the heads of an endless number of goons. However, when I had a chance to pick it up on sale over the holidays for $2.50, I figured it couldn’t hurt to give it a try. I was pleasantly surprised to discover that Hotline Miami is stranger and far more challenging that I was originally expecting, and I knew within a few hours of gameplay that it was worthy of a place on my personal top ten games of the year.

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2012 was a surprisingly robust year for gaming. While we didn’t quite get the bombardment of sequels to huge franchises that we’ve come to expect, we got a year filled with unique titles. 2012 was filled with strategy games, stealth games, new IPs and a new bar for emotional engagement in our favorite medium. Even the sequels found a way to change the game. Suddenly, the industry gave us something we’ve been clambering for what has felt like years — some variety. And what a nice change of pace it’s been.

So, without further ado, here is our list of the top 10 games of 2012. Enjoy, dudes.

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Happy New Year, Sushians! Your glorious GamerSushi crew is back from our protracted holiday break, bringing you the first podcast of 2013! I know you’re excited.

Something strange happened to our staff over the break as everyone dipped pretty heavily into the PC gaming inkwell, and as such we talk exclusively about everybody’s favorite gaming machine. True, most of the titles we played were multiplatform, but Jeff does gab for a bit about Hotline Miami.

In addition to that we also spend some time talking about the new Steam Box and the Steam Winter Sale, which ruined more than a few wallets. Since it’s been just over a month since our last cast, here’s a quick refresher on how this goes down: listen to the podcast, rate the podcast, and comment on the podcast.

0:00 – 4:32 Intro
4:33 – 9:51 Sleeping Dogs
9:52 – 25:27 XCOM: Enemy Unknown
25:28 – 34:13 Far Cry 3
34:14 – 36:41 Torchlight 2
36:42 – 43:38 Dishonored
43:49 – 54:33 Spec Ops: The Line
54:34 – 1:00:30 Hotline Miami
1:00:31 – 1:07:13 PC Gaming and the Steam Sale
1:07:14 – 1:15:50 Steam Box
1:15:51 – 1:18:14 The Witcher 2
1:18:15 – 1:21:48 Outro

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If you’ll do us the kindness of remembering, you’ll recall that GamerSushi does the annual recap a bit differently than most places. Sure, we’ll do our Top 10 Games of 2012 list within the next week, but before that we bring you the Sushis, our roast, celebration and general send-up of the previous year’s highs and lows.

In the 2012 Sushis, we mock the disappointments, high five the best multiplayer experiences and give solos to the unsung heroes of one of the generation’s most interesting years yet.

Enoy!

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Well, that was certainly an experience.

In the last year, I have played all the numbered Metal Gear Solid games (MGS, MGS2, MGS3), ostensibly to see what the big deal was. After finishing Metal Gear Solid 4, my feelings on the game itself are largely ambivalent, but my feelings on the entire franchise are generally positive. (spoilers follow)

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While Call of Duty moved into the realm of fictional wars with the first Modern Warfare game, the series has never strayed beyond modern technology; indeed, even jumping into today’s battlegrounds was deemed a huge leap for the series. Now that almost every era of modern war has been mined for inspiration (I’m still waiting for Trench Warfare), Call of Duty’s off-year team Treyarch decided to make a bold move and place their Black Ops follow up in the year 2025.

The whole game doesn’t take place in 2025, however, as there are several levels that occur in the 1980s that set up the origin of Raul Menendez, the antagonist of this particular outing. Switching back and forth between the shiny combat of 2025 and the shady battles of the 1980s, can Black Ops 2′s unique narrative break it out of the Call of Duty rut?

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When Halo: Reach launched, the future of the Halo games became rather uncertain. Sure, we knew that Microsoft had formed 343 Industries to shepherd the series now that Bungie was moving on from the games that made them famous, but there were still doubts as to whether 343i had the chops to take over. Their first video game effort didn’t come until 2011 with the re-release of Halo: Combat Evolved. While it was a nice update to this classic game, it was still just standing on the shoulders of giants.

Leading up to Halo 4 you could kind of sense the uncertainty surrounding it. An unproven studio with Microsoft’s most valuable franchise making a game that promised to uphold everything Halo stood for? 343i was in a tricky position, because if they played it too close to Bungie’s territory they’d be looked down on and if their Halo was wildly different, the backlash would have been immense. They needed to strike a balance between making a Halo game while at the same time moving it in an entirely new direction. Now that the game is finally out, have they become the Reclaimers to Bungie’s Forerunners?

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In a series consisting primarily of odd choices, perhaps the oddest choice by Hideo Kojima was to take the Metal Gear Solid storyline back to the past, to the beginning of Big Boss’s journey. It’s always odd when a prequel has a number assigned to it that indicates it is actually a sequel, but Metal Gear Solid 3: Snake Eater actually is worthy of the moniker. The story of Metal Gear Solid is invigorated and broadened in exciting new ways thanks to this bold decision. I had heard so much about MGS 3 being the best in the series and I was seriously surprised when it turned out to be one of the best games I have ever played.

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We once again convene our even nerdier Council of Elrond as we return for the 57 episode of The GamerSushi Show. It’s been a few weeks since our last podcast, but when isn’t that the case?

To be fair to us, not a lot has happened between then and now, except for The Walking Dead finishing up its first season, which we cover in the majority of this podcast. In case you’re wondering, we go full spoilers on this one. No holds barred, and all that, so be warned if you’ve yet to finish.

In addition to The Walking Dead, Eddy beat Assassin’s Creed 3 so we dedicate some time to his impression of the game. We also talk about Hitman: Absolution’s terrible “assassinate your friends” marketing campaign and the 2012 Spike Video Game Awards nominees.

You know how it goes: listen to the podcast, and don’t forget to rate it for full synchronization.

Zachariah Scott’s Bad Medicine.

0:00 – 1:54 Intro
1:55 – 3:37 Hitman’s baffling advertising
3:38 – 10:42 Spike’s Video Game Awards 2012
10:43 – 31:00 Assassin’s Creed 3
31:01 – 1:04:38 The Walking Dead
1:04:39 – 1:07:38 Outro

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When a game originally starts its life as part of the True Crime series and gets dropped by its publisher in advance of its release, it doesn’t bode that well. Such was the case for Sleeping Dogs, until Square Enix swopped in and scooped up the rights to bring the game to the public, saving United Front’s Hong Kong-based open world game from development hell.

Starring the enigmatic Wei Shen as an undercover police officer infiltrating a local Triad gang, Sleeping Dogs takes the melee combat style popularized by the Batman: Arkham titles and mixes it with some familiar open-world tropes and in a brazen move, refuses to give the player a gun for the first few hours. Sleeping Dogs takes a lot of risks for what should be a safe bet in the video game world. Does the game succeed or is its cover blown?

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There are so many video games on so many systems that certain things are bound to fall into the cracks, ignored by many while exulted by a passionate minority. In this new feature, I hope to shine a spotlight on certain overlooked games, characters and anything else that should warrant mention.

The first is a character from the Mario & Luigi RPG series, which originated on the Game Boy Advance and has since moved on to the DS. There have been no entries thus far on the 3DS, but one can certainly hope, although the fact that Paper Mario is on the 3DS leaves me feeling forlorn. The games have always been a delight to play, due to their unique control system, which allows you to control and move both Mario and Luigi simultaneously. But the real reason to play the games is due to the humor, of which a large part can be attributed to the new villain that debuted in the first game, Superstar Saga: Fawful.

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With Game Informer’s cover story finally unveiling some concrete details about Grand Theft Auto V, the Internet finally has a reason to talk incessantly about Rockstar’s popular open-world series and we here at GamerSushi are no different. I have stoically ignored all GTA V rumors and discussion until new information was released. However, since that has now happened and we find ourselves in the golden age of GTA V info, I have some thoughts and concerns, as I so often do.

First, as we have mentioned in the past, Grand Theft Auto IV was a disappointment. I know some people swear up and down by it, but as a huge fan of the PS2 trilogy, I didn’t find much to like. The world has bigger and denser, but there just wasn’t much of a reason to explore it anymore. The numerous side activities of previous games were scaled back, leaving you with only a few things to do other than the story missions. Instead, they were replaced by what amounted to taking your friends out on dates, which was fun and unique exactly once. We all got a laugh when we took our perverted cousin Roman to the strip club, but that wasn’t something I was anxious to repeat.

The other minigames were poorly controlled and very tedious. Bowling was kind of interesting, but a single game took forever and the overly long animations had me scrambling to quit as fast as I could. And the only real purpose for this was so you could get bonuses, like Jacob the weapons dealer giving you a discount. Honestly, what kind of black market merchant of death cuts into his bottom line just because someone takes him to a comedy show? It just makes no sense and wasn’t fun.

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We’re almost back on track with the podcasts as we return with the 56 episode of our illustrious gaming show. In the edition we see the return on Nick, who regales us with the tale of his journey to the International Beard Competition. Or, maybe we just talk about Halo 4, GTA 5 and Assassin’s Creed 3 like a bunch of nerds.

The podcast opens with some Grand Theft Auto 5 talk, including our misgivings about the three playable characters and the changes that Rockstar needs to make to the formula after 4. Halo 4 is, of course, a big topic, with Anthony and I declaring our love for the game with all of its playable modes. We close out the cast with a final dissection of Assassin’s Creed 3 where I expand on my review a little bit.

I don’t think you need to be told what to do at this point, being 56 shows deep, but I’ll remind you anyways because I’m nice: listen to the podcast, rate the podcast, love the podcast. Wanna meet that podcast.

0:00 – 1:12 Intro
1:13 – 16:08 Grand Theft Auto 5
16:09 – 31:03 Halo 4
31:04 – 40:37 Assassin’s Creed 3
40:38 – 42:10 Dragon Quest 7 re-release
42:11 – 53:18 Outro

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We primarily review games here on GamerSushi, but every now and then, a movie comes out that appeals to the gamer zeitgeist enough that it deserves a review of its own. While Wreck-It Ralph, the new animated feature from Disney isn’t based on a video game, it has more than enough video game references that it practically screams for attention from the gamer community. Which we are granting with this review.

Wreck-It Ralph is the story of Ralph, voiced by John C. Reilly who is the villain in a Donkey Kong-like arcade game called Fix-It Felix. Ralph’s job in his game is to smash the windows of a tall building and then climb to the top, throwing bricks at Felix as he tries to fix the windows and reach the top, saving the residents of the building from Ralph’s destructive rage. Once Felix has done so, Ralph is summarily tossed off the building into the muddy ground below while Felix is awarded a medal. After 30 years of this, Ralph is fed up with his lot in life. He is ostracized by Felix and the residents, resigned to living in a nearby dump (literally) with nothing but bricks as his bed. He longs to be a hero, but as his support group of video game villains tells him, that’s just not possible.

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The most appealing aspect of the Assassin’s Creed series is the ability to experience different periods of human history through a sci-fi wrapper. Thanks to the prolonged presence of Renaissance Italy’s Ezio Auditore, the need to travel to a different era was reaching a high. Thankfully for Assassin’s Creed 3, Ubisoft moved the clock up a few hundred years, dropping you in Revolutionary America in the moccasins of Connor Kenway (real name Ratonhnhaké:ton) a half-Mohawk, half-British assassin.

With a new setting, a new engine and the possibility of wrapping up the modern day storyline of Desmond Miles, Assassin’s Creed 3 seemed poised to make the same sort of leap that the series did with Assassin’s Creed 2 back in 2009. Did Ubisoft manage to pull it off, and can Connor replace the venerable Ezio?

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It’s been a while, but we’re back. In the month since we’ve been gone a lot has happened, such as Disney buying LucasFilm and a whole bunch of games coming out. We managed to cover a lot of it, leading to what has to be our longest cast in a while.

Nick is absent yet again, but you have the regular crew, albeit with a couple of us fighting off coughing fits at several points. Eddy just plain forgets that he can mute himself, so in a couple spots you’ll hear him coughing or chomping on a cough drop. It’s not too bad, but I’ve decided to christen the cast in his honor.

You know how it goes by now, being veterans of our show. Listen, rate and be excellent to each other. We’ll see you soon!

0:00 – 2:43 Intro
2:44 – 20:12 Disney buys LucasFilm
20:13 – 26:08 Halo 4
26:09 – 30:52 Wii U
30:53 – 41:53 Assassin’s Creed 3
41:54 – 50:26 XCOM: Enemy Unknown
50:27 – 51:14 Dishonored
51:15 – 56:54 RE6 and Borderlands 2
56:55 – 59:04 Over/Under Recap
59:05 – 1:00:53 Outro

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War games are a dime a dozen in the video game industry, but rarely do they make you think about the decisions you’re making as a virtual soldier. Go here, do that; it’s all very clean-cut and morally upright. But as anyone who’s read a post-war memoir or has watched a good film, or talked to a real solider might know, war isn’t so neat. It’s messy, brutal and even if you somehow managed not to get physically injured, there’s a whole host of psychological scars.

The other trope of video game wars is that you’re usually a low-ranked grunt, a Private or at most a Sergeant, someone who’s important on the field of battle but isn’t calling the shots. Spec Ops: The Line puts you in the boots of Captain Martin Walker, a Delta Force operator leading a small three-man fire team into the ruins of a sandstorm ravaged Dubai. You’re hot on the heels of one Colonel Konrad, the commander of the Damned 33rd and the person who was supposed to be evacuating the citizens of Dubai. Can Spec Ops: The Line make it through this hot washup?

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It’s been a few weeks, faithful listeners, but we’re back. It’s kind of hard to get a balance going once we start the podcast again, but we’ll probably be back up to weekly casts right before we go on another break. C’est la vie, non?

In this episode we’ve got some apologizing to do around Resident Evil 6, which is apparently the worst game ever. Seriously, we’re really sorry about how much time we devoted to this game over the past year.

We also talk about Cliffy B and the BioWare Doctors leaving the industry which evolves into a talk of whether there are anymore big name people left beyond the standards (Newell, Miamoto and the like). It’s a really cool talk about the state of the industry and how faceless it’s become in some ways.

We also talk about Borderlands 2 (nee Bonerhands) for a while and then we chat about our most anticipated games for the rest of the year.

So! You know how it goes. Listen, rate, and please accept our apologies.

0:00 – 1:33 Intro
1:33 – 14:25 Resident Evil 6
14:26 – 17:17 Over/Under Checkup
17:18 – 31:10 Cliffy B and the BioWare Docs
31:11 – 40:42 Borderlands 2
40:43 – 53:00 Most anticipated game of the rest of 2012
53:00 – 54:45 Outro

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2009′s Borderlands was an interesting animal back when it released. A mishmash of RPG and FPS with a lot of loot thrown in, it stayed aloft mostly on a wing and a prayer. It was a little bland in its environmental design, the story lacked any real payoff, and it was too easy to break the various classes available to you. That said, it was fresh and unique and had an excellent crop of post-release DLC to keep it in people’s minds.

Three years later, Gearbox is taking another crack at it. With more polish, more PC options and even more guns, does Borderlands 2 hold even more for gamers or does it deserve to be sold as vendor trash?

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Welcome back to Fun or Shun, the feature where two GamerSushi editors take a look at an upcoming game and give their thoughts on whether or not they want to buy it. We did this last year with the excellent Deus Ex: Human Revolution and now Anthony and I are putting Dishonored, the Bethesda-published steampunk game, under the microscope.

Will Dishonored stand up to the intense scrutiny? Will it triumph based on its pre-release material, or are we feeling a bit cold towards it? Onward, adventurer!

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