After six years and hundreds of over-taxed PCs, the Crysis series is coming to a head with its third installment. Running on a new version of the CryEngine, the latest entry in the franchise takes you back to New York to finally unravel the mystery of the Ceph and the nature of their connection to the main character, Prophet.
Seems that this last week has been pretty slow for gaming news, so we only have the premier trailer for Assassin’s Creed IV: Black Flag to show you today. While it’s all pre-rendered, as is the way with Ubisoft’s announcement trailers for Assassin’s Creed, it does get me hyped for the game against my better judgement. In Black Flag, you’ll be playing as Edward Kenway, father of Haytham Kenway from Assassin’s Creed 3 and protagonist Connor’s grandfather. In the trailer, infamous pirate Blackbeard gives us an introduction to our new assassin.
This seems a little odd for the series, as pirate and assassin don’t really mix, but I’m down for it. Apparently the game world is an open ocean with a few major ports and a lot of little islands to explore. So far I’m down with Assassin’s Creed IV, but I’m definitely waiting for a bit after release before I buy it. What say you? Are you on board with Assassin’s Creed IV? Did the trailer work its magic on you?
I promise I’m not trying to make weekly videos a theme, but it was hard to resist the idea of showing you guys these two music-themed videos. And seeing as how one is related to Bioshock Infinite, a game that many of you are pumped about, and the other is related to Journey, which I feel has one of the best gaming soundtracks of all time, I didn’t think you all would mind.
The first video is a brief clip of two of Bioshock Infinite’s actors, Troy Baker and Courtnee Draper, singing an old spiritual song that appears in the game, Will the Circle Be Unbroken. This is a classic song, and I love the time period that it establishes Columbia in. It’s a lovely duet, and it’s pretty cool that it appears in the game.
Welcome to the monthly Power Rankings, gents. If you’ll recall, we’ve changed the Power Ranking format in 2013 to reflect our current “What’s Hot” list, regardless of the year the game was released. These are the games we keep coming back to collectively, salivating as we play… OK, that last part might have been an exaggeration, although I hear Mitch does get very excited about necromorphs.
Speaking of necromorphs, 2013 is already rolling with a handful of new games that have made their appearance on this month’s Power Rankings, including Dead Space 3 and Crysis 3. Next month’s list will be even wackier in terms of shake-ups, if Anthony’s recent Pixel Count is any indication. We’ve also been dipping our toes into some older ponds, including the zany urban warfare depicted in Saint’s Row 3, as well as the magepunky slums of Midgar in Final Fantasy 7.
Given that Kojima Productions couldn’t turn Metal Gear Rising into an actual game, I’m kind of surprised that Platinum Games (makers of Bayonetta) were able to take the basic premise of “Raiden slices stuff up” and make a pretty kick-ass title.
Taking place about four years after the events of Metal Gear Solid 4, Raiden is back in his cyborg body, working for Maverick Enterprises. A surprise attack on a convoy he’s protecting leads to him adopting an even more powerful cyborg frame and vowing to get revengeance on those who wronged him (such as Jetstream Sam, and yes, that face is even better when you see it in-game).
Revengeance is a serious departure from the stealth-oriented gameplay of the MGS titles; when you hear the iconic Alert sound “!”, you know it’s time to leap into action, as opposed to running and hiding. Raiden can chop up foes with a light or heavy attack, and you can use the new Zan-Datsu mode to slice foes open and steal their spines, which allows you to heal yourself on the fly (more accurately it’s a container of repairing nano-paste as opposed to a spine, but that doesn’t sound as cool).
Admittedly, I’m having a lot more fun with Revenageance than I thought I would. These types of beat-em-ups aren’t usually my cup of tea, but Metal Gear Rising is so bonkers I can’t help but be drawn in. I did reach a pretty serious road-block last night with some enemies that run counter to the mechanics that you’ve been taught up to that point, but I’m eager to jump back in. Has anyone else played Metal Gear Rising: Revengeance? What do you think? Anyone going to pick it up?
Welcome back to The GamerSushi Show! We’re releasing these at a fairly decent clip, aren’t we? You’d think with how dry the gaming industry has been news wise recently we’d have nothing to talk about every week, but here we are again, invading your media players.
It’s another three man team, but this time in the usual combination of Eddy, Jeff and Anthony. They may be lacking Nick and myself, but they still manage to have a rousing conversation anyways. They talk about some older games then launch into Ni no Kuni and next Tuesday’s Tomb Raider, then they talk news which includes the announcement of Assassin’s Creed IV: Black Flag, and the fact that those scamps over at EA are continuing with microtransactions for the next gen.
0:00 – 0:54 Intro
0:55 – 3:54 Nick Hates The Walking Dead
3:55 – 13:52 Jeff’s Steam Box and Saint’s Row 3
13:53 – 20:11 Far Cry 3
20:12 – 27:03 Ni no Kuni
27:04 – 34:51 Tomb Raider
34:52 – 37:51 Assassin’s Creed IV: Black Flag
37:52 – 50:38 EA microtransactions and Xbox successor deal
50:39 – 54:40 Next gen budgets
54:41 – 56:42 Outro
It seems like everywhere I turn, people are talking about the importance of story and emotion in video games. I know that I get sucked into that, too, partially because some of the most meaningful games that I’ve played have had some stellar stories. Games like The Walking Dead, Uncharted 2, a number of Final Fantasies and more have stuck with me longer than most.
The other day, Anthony, Jeff and I were talking about stories in games, and how it’s funny that gamers will excuse even the most absurd stories in favor of excellent gameplay. Far Cry 3, for instance, had a ridiculous premise and a story which made little sense, but I never really cared because the setting and the game itself were so much fun. Likewise, I can’t say I’ve ever been completely invested in the stories of games like Gears of War or even most of the Halo titles. Even Ni No Kuni, a game that I adore at the moment, has a pretty so-so story. Continue reading GamerSushi Asks: Story Versus Setting?